All posts tagged with flowers

The large-leaved kōwhai (Sophora tetraptera) is native to the North Island of Aotearoa New Zealand, where it is widespread and common. While it grows naturally only in Aotearoa, it has been cultivated extensively outside of this range, including as one of a number of New Zealand plants historically introduced into English gardens.

Natural history literature provides a record of such introductions, with many authors remarking on the suitability of Sophora tetraptera—often referring to it under the synonym Edwardsia grandiflora—to the English climate. For example George Loddiges, within his The Botanical Cabinet(1826), remarked that it was “sufficiently hardy to bear our climate, planted against a wall; in very severe frost, a mat should be hung over it.” Two decades later, British writer and botanical authority Jane Wells Webb Loudon included the plant in herThe Ladies’ Flower-Garden of Ornamental Greenhouse Plants (1848), where she noted that the original plant could still be found growing in Chelsea Garden in 1848.

Loddiges’ and Loudon’s references are just two of many sources related to the history of Sophora tetraptera that Mark Laird (Professor, John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto) identified thanks to the Biodiversity Heritage Library (BHL) whilst conducting research for a prospective book. One of the book’s chapters explores a variety of New Zealand plants introduced into English gardens from the 1770s to 1840s, in the context of both Kew’s colonial collecting and Māori heritage. BHL was an invaluable resource for this research—especially during the COVID-19 related lockdowns of 2020.

A garden is a place to rest, relax, rejuvenate. It also provides an opportunity to learn about nature. Staff at Smithsonian Libraries and Archives are also learning and developing new skills. Some of these new skills are related to digitization and accessibility of biodiversity literature.

During these months of telework, I am assisting the Digital Library and Digitization Department to enhance page-level and image-level access to previously digitized books for the Biodiversity Heritage Library (BHL). This involves improving page-level metadata for items in BHL, uploading full-page illustrations to the BHL Flickr, and tagging the images in Flickr with species’ common and scientific names. These digitized books include a variety of content: plants, birds, mammals, reptiles, crustaceans, insects, and so much more. In the course of this work, I have the opportunity to view lovely illustrations. Recently a horticultural catalog caught my attention. The item is titled Vick’s Flower and Vegetable Garden (1878) by James Vick.

On 30 April 2021, join the Chicago Botanic Garden’s Lenhardt Library and the Caxton Club for a free, virtual symposium celebrating the Language of Flowers—a popular literary trend in the 19th century that presented the world of botany through dictionaries of flowers and associated meanings, floral poetry and prose, offering a sentimental view of natural history.

The Language of Flowers genre is at the intersection of botany, horticulture, natural history, art, poetry, and women’s studies. This popular literary trend in the 19th century, presented the world of botany through dictionaries of flowers and associated meanings, floral poetry and prose, offering a sentimental view of natural history. A properly arranged bouquet was said to convey a “secret message” for the recipient. The “social media” of its day, this Victorian fad, led to many editions of works published, with multiple titles by successful authors.

Frances Sargent Osgood edited two works in this genre, Poetry of Flowers and Flowers of Poetry and The Floral Offering.

John Sibthorp’s Flora Graeca (1806-1840) has been described as “the most costly and beautiful book devoted to any flora” [1]. Dedicated to the plants of Greece and the eastern Mediterranean, only 30 subscriptions were sold and of those, only 25 were completed. While each copy was sold for £254, the cost to produce each copy was about £620 [2, 176].

“Language of Flowers”, a popular literary trend in the 19th century, presented the world of botany through dictionaries of flowers and associated meanings, floral poetry and prose, offering a sentimental view of natural history.  These charming books with colorful illustrations of flowers and bouquets are at the intersection of botany, horticulture, natural history, art, poetry, and women’s studies.  This Victorian fad saw many editions of works published, with multiple titles by successful authors.  The following provides a glimpse into the work of four women authors of this genre.

How does a young woman create the most important record of Hawaiian flowers in the nineteenth century? Who helps her identify plants and find a London publisher? Why does she leave New Zealand for Niihau, the Forbidden Island? Thanks to a magnificent book in the Rare Book Collection of the Chicago Botanic Garden Library (and a little research), we can answer these questions.

With 44 delightful chromolithographed plates, Indigenous Flowers of the Hawaiian Islands is no ordinary book. Its illustrations introduced the world to an exotic, endemic, and vanishing flora. Indigenous Flowers provides a marker to measure the impact of humans on the fragile ecosystem of two Hawaiian islands, yet another signal of the Anthropocene epoch. Isabella McHutcheson Sinclair (1840–90) was probably the most unexpected ambassador for plant conservation. Her breadth of botanical experiences in the Pacific, in both New Zealand and the Sandwich Islands (better known today as Hawaii), gave her a particular vision to recognize the effects of humans on local flora and fauna.